Why We Need More Subjective Games Criticism


I recently saw a comment about an article on academic games criticism. The comment was an approving one: the commenter believed that the article was a fine example of an approach to games criticism that was not “weakened” by a method that focused on the player as a site of meaning-making.

I was furious. What made me so livid about the comment wasn’t that it was some lone graduate student tossing out an opinion that I happened to find objectionable. Quite the contrary: it was that this opinion is a widespread, domineering one. At its base is a fiercely-defended value: objectivity. According to this assumption, methods of criticism that focus on players and their subjective experiences are weak. That, in turn, must mean that strong methods locate meaning elsewhere—somewhere outside the dark subjective cave of player experience and in the bright objective world of game forms.

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